It turns out you can do this for the whole form. So for the next three posts I will be covering these follow up techniques. Even if you don't agree with this interpretation of Kwang-Gae, it may get you to see some of the sets in a new light.
Additional strikes, puter kepala takedown
After striking the opponent's neck with the hands splitting, you can follow through with an inward strike followed by a downward hammerfist, for three strikes in total. As you strike, you want to get the opponent's head to lean downwards, so it's important to utilize the pulling hand in both cases.
|Sources: Courtney White, Yin Style Bagua|
|Puter kepala takedown|
Source: Courtney White
Note that you are rotating your opponent's head and arm in a circle, so for this application the two palm pressing blocks should be performed continuously and with arms crossing in between the blocks, similar to how the Bagua-ist performs the motions below.
|Sequential palm pressing blocks in Bagua. Notice how the arms cross in between blocks. |
Source: Yin Style Bagua.
Now we'll begin with the second palm pressing block. After blocking with the heaven hand, overhook your opponent's head (upward moving palm) and push down their arm (downward moving palm). Grab their jaw and twist out their head while passing their arm as you step backwards into backfist side strike, twisting your opponent's whole body and forcing them to fall over. Hapkidoin Alain Burrese demonstrates this technique in this video.
|Source: Your Warrior's Edge|
Next we start with the backfist side strike after the heaven hand. After striking the neck, knee strike your opponent (lifting the leg) while pulling them downwards, then follow with the backfist side strike to their head. Depending on positioning, you might strike with your forearm or even downward with your elbow; the stomp emphasizes putting your body weight into the strike.
Next, twist their arm behind their back with your back hand as you shift into the double forearm block, creating a shoulder lock. Your front arm maintains pressure on the back of their head. From this position you can safely escort your opponent, strike the back of their head, or do a takedown.
(Bottom right image): Taekwondo Grappling Techniques
Continue to Part 3
1) The origin of this idea was that I noticed Kushanku, the kata that Kwang-Gae is partly based on, uses the low knifehand front block and the cat stance guarding blocks at the start of the form, directly after the heaven hand.
Taekwondo Grappling Techniques by Tony Kemerly and Scott Synder