Thursday, June 15, 2017

Kwang-Gae & The Heaven Hand, Part 3

Previous Posts:
Part 1
Part 2

Spearhand to face, smash onto knee


Sources: imineo, one minute bunkai
The high spearhand thrust (what my club calls an "unsupported spearfinger") has three odd features in Kwang-Gae:
  • It's performed in slow motion
  • The footwork is the slipping of the front foot (i.e. pull it in before stepping back out again)
  • It's performed in low stance rather than a normal front stance
Slow motion movements in forms indicate body manipulation. As shown in the combined gif on the left, we can use the spearhand after the heaven hand sort of like a slap: pressing out on our opponent's face while pulling in their arm with our reaction hand. We may also use the slipping footwork to get behind the opponent's leg, and then use the low stance to press out on the back of your opponent's knee. From here, you can pull the opponent downward for a takedown.

However, in both cases the next movement in the form is lifting our back leg. So if we want to get nasty, we can smash the back of our opponent's head on our knee as we take them down.
Sources: imineoone minute bunkai
Grab ears, pull down

Grabbing the ears and thumbing in the eyes are two favored alternate applications for the twin vertical face punch. We're going to use the former, but a little differently than you might think.

Source: Krav Maga Training
If you use the heaven hand against a right haymaker (your opponent's right) and then split your hands, your right hand will be next to your opponent's right ear. You can grab their ear -- or perhaps their hair -- and pull it down as you do a knee strike (lifting the leg). Now reach around and grab their left ear with your left hand. As you push your opponent's head up with the double face punch, you force their body to turn around, meaning that you are grabbing their ears from behind!

Use the next move, twin upset punch, to pull your opponent to the ground via the ears. You can use the leg lift beforehand to knee strike their back or kick out their leg to aid the takedown, but I think that the "stomp" is there to emphasize the downward motion.

Kick out leg, turn and lift

Turning 180-degrees into a knifehand guarding block usually indicates a head crank. But I don't think that's what's going on here, because we step back into the guarding block after turning around. Furthermore, the set ends with a high punch. Why?

To resolve this, first apply the double upset punch to grab and control your opponent. Front kick the opponent's cross-side leg, aiming for their inner thigh, with the goal of knocking back their leg.

Land, turn, and step back into knifehand guarding block per the form. Your front forearm presses out on the opponent's neck, but your back hand goes for the leg you just kicked back. Grab the leg (by the opponent's pants if they are wearing away) and lift it upwards as you walk forward into the high punch, grabbing and pulling your opponent's head down with the reaction hand. This makes a crude but simple takedown.
Sources: Practical Kata Bunkai, One Minute Bunkai
In part 4 I will backtrack to the beginning of the form and post some final thoughts.

View Part 4 here

Sources

https://www.youtube.com/watch?v=sE2nafaPCZI
https://www.youtube.com/watch?v=ynE0eX2jpXc
https://www.youtube.com/watch?v=qptCOuL0IEQ
https://www.youtube.com/watch?v=qWJlooO_4jQ
https://www.youtube.com/watch?v=UdAAB2QXEsI
https://www.youtube.com/watch?v=pfwBR7g0c6E

1 comment:

  1. I thought I was the only one who used spearhands as palm heels? Awesome job! :-)

    ReplyDelete